&Nbsp, The World'S Lightest Fabric, Appeared In The Swiss Pavilion &Nbsp, Comparable To The Emperor'S New Clothes.

One meter square scarf, floating in the wind, gently like water, on the 23 day Swiss Pavilion opened at Expo Park Swiss design.

According to the introduction, this is known as "the lightest in the world".

The exhibition organizers revealed that the feather like fabric was named "

The works of both the eye and the material potential are endless in the Swiss Pavilion exhibition.

A plastic chair called "Vegetal" looks like a complex branch from the ground.

The pure white and dark brown color makes the impression of nature more impressive.

It is reported that this exhibition is the 2009 "Swiss Design Award" winning works.

Every two years, the Swiss Design Awards Association will award the best Swiss innovative products to support and recognize the outstanding achievements of Swiss designers.

The organizers expressed the hope that this exhibition will promote Swiss innovative design practice and its long tradition in the field of industrial design, and promote a new perspective and communication between Chinese and Swiss designers.

The exhibits will find that the "Chinese element" has become the inspiration for many young Swiss designers.

Designer Arienne Birchler's 09 women's wear series will bring women's femininity, elegance and sensitivity to the extreme, full of modernity and full of poetic flavor.

One of her inspirations is Chinese director Wong Kar Wai, whose unique sad atmosphere, ambiguous desire, unique tone and nostalgia and modern combination can be found in the design.

In the Swiss Pavilion at the same day, there was also a huge red inflatable building "container".

It is jointly built by Swiss artist Sandra Kong and Yang Jian, a Chinese artist.

Sandra Kong Zi told reporters that she often traveled between Switzerland and China and worked in Xiamen for many years, and found many interesting designs of many suburban self built residential buildings, blending some characteristics of Chinese and Swiss local culture.

The container is replicated according to a local residence. It contains both the Chinese Temple's glass roof and the European style gate posts and corridors. The wall is the style of Suzhou gardens.

Inspired by this, she and Yang Jian joined hands in creating a work of architectural space that integrates the aesthetic and cultural heritage of China and Switzerland.